Extremes & ModerationsA Historical Archive of Los Angeles and Southern California Poetry

THE TEXT/TECH PAPERS

Journal Issue

The Lighthouse and The Usual Song give the issue a strong interest in shifting scenes and states of mind. Across 14 poems, rhyme often serves as a way of tightening turns of thought: brief lyrics sit beside longer stanzaic arguments, while the sequence of titles keeps the pacing exact. What stands out is those changes of scale, as a single image is often answered by a more extended poem on the next leaf. The movement from The Lighthouse to The Usual Song gives the number a specific arc while leaving its voices formally distinct.

Contributors

More contributors (6)
Publication details
Full contents
  • The Lighthouse — David Marcus [Poem, p. 3]
  • Small Oasis — Eric Wilson Barker [Poem, p. 4]
  • Fierce Interval — Elinor Lennen [Poem, p. 5]
  • Tipton's Corners — Dorothy Haddox [Poem, p. 6]
  • “Blind” — Neeta Marquis [Poem, p. 7]
  • Song — Robert Beloof [Poem, p. 8]
  • Vacationer — Joseph Joel Keith [Poem, p. 9]
  • Sand — Sarah Foss Wolverton [Poem, p. 10]
  • Song for Hannah — Orma Jean Surbey [Poem, p. 11]
  • As I Lay Quiet — Margaret Widdemer [Poem, p. 12]
  • Stubble — Stella Weston Tuttle [Poem, p. 13]
  • Marauder — Aveline Perkins [Poem, p. 14]
  • This Now — Gertrude May Lutz [Poem, p. 15]
  • The Usual Song — Hanson Kellogg [Poem, p. 16]
  • Contributors' Notes [Contributor notes, p. 17]
Rights and citation

Copyright 1950 by Grover Jacoby

Copyright Status Unresolved

The issue bears a 1950 copyright notice; rights in individual contributions and the compilation have not been fully resolved.

*Recurrence*, vol. I, no. 2, Autumn 1950. Text/Tech Journals, reader’s edition.